are shown: The Main Toolbox: This is the heart of the GIMP. It contains the highest level menu, plus a set of icon buttons that can be used to select tools, and more. Tool options: Docked below the windows shown in the screenshot, explaining what they are and how they work. Once you have read them, plus the section describing the basic structure of GIMP images, you should have learned enough to use these more convenient. More: most menu operations can also be activated from the keyboard, using Alt plus an "accelerator" key underlined in the menu emphasis. More: you can define your own custom shortcuts

are shown: v 1 The Main Toolbox: This is the heart of the GIMP. It contains the highest level menu, plus a set of icon buttons that can be used to select tools, and more. v 2 Tool options: Docked below windows shown in the screenshot, explaining what they are and how they work. Once you have read them, plus the section describing the basic structure of GIMP images, you should have learned enough to use GIMP these more convenient. More: most menu operations can also be activated from the keyboard, using Alt plus an ‘accelerator’ key underlined in the menu emphasis. More: you can define your own custom shortcuts

windows shown in the screen- shot, explaining what they are and how they work. Once you have read them, plus the section describing the basic structure of GIMP images, you should have learned enough to use GIMP file. In reality, however, a GIMP image is a a complicated structure, containing a stack of layers plus several other types of objects: a selection mask, a set of channels, a set of paths, an ”undo” history dialog. Not only paths, but also layers and channels, can be transform-locked. If you transform one element that is transform-locked, all others will be transformed in the same way. So, for example, if you

and brightness were changed to a soft “old looking” sepia tone. THE VIGNETTE The main collage element was a snapshot of me and our Chevelle. This image was blended to the background with the help of M a n u a l D o n’ t Under est im a t e T h e Powe r O f G imp . . . ADDING NOISE The next element in the montage was a picture of the fuel pump assembly. Here, noise was added to both mask and image applying the noise. Finally, the image was tinted with the same tone as the background. MAKING AN ELEMENT STAND OUT IN A COMPOSITION The steering wheel was treated in a similar manner, only this image was

EXTENSION IS XCF) EXPORTING AS • File – Export As 1. Name. extension 3. Click on plus next to Select File Type And select the file type you want 4. Export 2. Select location By

California, Berkeley. It began as a compiler class project in LISP. Frustration with the program, plus system crashes, pushed the project in a new direction. Instead of LISP, the students decided to write

these more convenient. More: most menu operations can also be activated from the keyboard, using Alt plus an “accelerator” key underlined in the menu emphasis. Menu Button: Clicking on this little button